Women of the Vine: Inside the World of Women Who Make, Taste, and Enjoy Wine (Paperback), Author: Deborah Brenner, Gina Gallo

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From Publishers Weekly
Brenner, a marketing executive-turned-wine label owner, presents wide-ranging interviews with 21 women involved in the wine industry, covering everything from the crush to the shoes to the perfect pregnancy timetable when working among the grapes. After a brief description of the winemaking process, Brenner offers detailed, quote-heavy profiles of award-winning winemakers like Heidi Peterson Barrett and Kristin Bedair, who pontificate on life as, in the words of winemaker Gina Gallo, "part farmer, part scientist, part chef, part CEO." Besides the success, there's plenty of angst and adversity-disappearing funds, gender discrimination, and family tragedy-to serve as inspiration to those in need of career advice. While most of the interviews are with winemakers from California, several are with afficionados such as Stephanie Browne, founder of Divas Uncorked, a wine group for women of color, and top industry scholar Dr. Ann Noble. Though Brenner's upbeat voice can veer into self-help speak, anyone who enjoys wine will find much to like in this collection, especially those laboring along "the journey from 'cellar rat' to renowned and respected winemaker."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Brenner, a marketing executive-turned-wine label owner, presents wide-ranging interviews with 21 women involved in the wine industry, covering everything from the crush to the shoes to the perfect pregnancy timetable when working among the grapes. After a brief description of the winemaking process, Brenner offers detailed, quote-heavy profiles of award-winning winemakers like Heidi Peterson Barrett and Kristin Bedair, who pontificate on life as, in the words of winemaker Gina Gallo, "part farmer, part scientist, part chef, part CEO." Besides the success, there's plenty of angst and adversity—disappearing funds, gender discrimination, and family tragedy—to serve as inspiration to those in need of career advice. While most of the interviews are with winemakers from California, several are with afficionados such as Stephanie Browne, founder of Divas Uncorked, a wine group for women of color, and top industry scholar Dr. Ann Noble. Though Brenner's upbeat voice can veer into self-help speak, anyone who enjoys wine will find much to like in this collection, especially those laboring along "the journey from 'cellar rat' to renowned and respected winemaker." (Nov.) (Publishers Weekly, November 27, 2006)

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Josephus and New Testament (Recent Releases) (Paperback), Author: Steve Mason

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Review
"There can be no doubt that the best aid for understanding the background of the New Testament is its contemporary, Josephus; and . . . the most careful, most comprehensive, and most useful introduction to Josephus as the key to the background for the New Testament is Steve Mason's book. As one reads it, one senses that a master teacher is talking directly to one in a most delightful, even breezy, style. . . . Even the most advanced student will find the book of great value."
--Louis H. Feldman, Yeshiva University (commenting on the first edition)

Book Description
Updated text and new maps bring this standard introduction up to date . . .

Throughout Christian history, the works of Josephus have been mined for the light they shed on the world of the New Testament. Josephus tells us about the Herodian family, the temple, the Pharisees, the Sadducees, and the Essenes. He mentions James the brother of Jesus, John the Baptist, and even Jesus himself. In Josephus and the New Testament, an internationally acknowledged authority on Josephus introduces this first-century Jewish historian to readers who want to begin to explore his witness to environment in which early Judaism and Christianity took shape.

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Yoga for Emotional Flow: Free Your Emotions Through Yoga Breathing, Body Awareness, and Energetic Release, Author: Stephen Cope

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More than 4,000 years ago, the early masters of yoga made an astonishing discovery: before we can find true happiness, we must first learn how to be open to the energy of our emotions. On Yoga for Emotional Flow, Stephen Cope, psychotherapist and Senior Scholar-in-Residence at Kripalu, the largest yoga center in America, presents a life-changing strategy for "riding the wave" in even the most challenging emotional situation.

Cope details the psychology behind the difficult circumstances we create for ourselves through improper handling of our feelings, and shares the prescription for effectively relating to anger, fear, grief, joy, and others from a yogic point of view. Through breathing and visualization techniques used successfully by thousands of his students, Cope offers listeners practical tips for day-to-day emotional balance; lessons in awakening the "witness consciousness" – a nonjudgmental vantage point for welcoming emotions; steps for "clearing the field" at the end of each day, and more.

For the yogi, there are no "bad" feelings – only unskillful responses to our ever-changing emotional states. Yoga for Emotional Flow is an essential program for working with these powerful forces, and a template for a new way of being. --This text refers to an out of print or unavailable edition of this title.

About the Author
Stephen Cope is a psychotherapist who studies the relationship between Western psychology and the Eastern contemplative traditions. He is currently Senior Scholar-in-Residence at Kripalu Center for Yoga and Health in Lenox, Massachusetts, and the author of Yoga and the Quest for the True Self and Awakening the Witness. --This text refers to an out of print or unavailable edition of this title.


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Writing Effective News Releases...: How to Get Free Publicity for Yourself, Your Business, or Your Organization (Paperback), Author: Catherine V. McIn

Cliff Martin, COSMEP Newsletter, The International Association of Independent Publishers
Oh Boy! An entire book on news releases. This is a very, very important book, and here's why: The media needs news. It sounds simple, but it's true. News releases are the tools of the trade for TV, radio, Cable, newspapers, and company newsletters. So many people seem to do news releases wrong, and with hundreds coming in a day, a good news release can make the difference between great exposure for your service, product, or event, or no exposure.

The book's biggest selling points: lots of actual news releases are shown and critiqued, arranged intelligently by type of release (TV/radio; non-profit groups, business releases, etc) . Other books have only skimpy info on news releases, this one seems like "the bible"!

The addition of an excellent resource section, full of useful reference books, makes this essential for anyone needing free publicity. Highly recommended.

WHAT'S WORKING -- United Communications Group
Written by former reporter and newspaper columnist, Catherine McIntyre, the publication offers a cookbook approach to news release writing that focuses on conveying news value, so your stuff gets ink. The book's loaded with examples of releases that have been effective publicity generators. Also includes helpful hints on working with themedia.


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Fatal Kidnapping (Paperback), Author: Tracy B. Evans

Debra Gaynor for ReviewYourBook.com, 11/07
Twists and turns...
5 Stars

A day never went by without Katie Stone calling her father at least once, but on that fateful day she didn't call. She and fiancé Caleb had agreed to meet for dinner, but she didn't show up. Something was wrong; Katie was missing. Terrified her father and fiancé turned to the local sheriff. Sheriff Day found her car at the Grocery Store. The town began to search for missing Katie.

When I review a book, I usually give a much longer summary. This time, I intentionally kept the summary short so that I would not give away any of the astonishing story. Fatal Kidnapping is like a roller coaster ride there are enough twists and turns to keep you holding on to the edge of your seat. I found the plot amazing; I was still trying to figure out "who done it" up to the last chapter. My only criticism of Fatal Kidnapping was the dialogue in a few places it is a little contrived. The plot falls heavily on the dialogue, which is good. I like books with a lot of dialogue. Tracy B. Evans is a talented writer. The cover deliciously hints at what lays inside. The characters are well developed; Caleb, loving and supportive, and Jed, a father that loves his daughter deeply. As a child, Katie was filled with pain. Fans of mystery and suspense will cherish this one.

Product Description
As Katie Stone grew up, she always feared that someone was watching her. Then, the day came when she became missing. The whole town frantically searched for Katie. When they finally find Katie, everyone is shocked that she was supposedly kidnapped by a man who had been dead for years. As Sheriff Day investigates Katie's kidnapping, he believes he uncovered the truth. Or, did he?

From the Author
Fatal Kidnapping is the first novel by Tracy B. Evans.


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Conscious Breathing: Breathwork for Health, Stress Release, and Personal Mastery (Paperback), Author: Gay Hendricks

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From Publishers Weekly
"In your lifetime you will breathe in and out more than a hundred million times.... What if you made a tiny improvement in something you did that many times?" So queries Hendricks, a professor of counseling at the University of Colorado and author of Conscious Loving, at the start of this quietly assured guide. His guided breathing exercises, most done lying down and in combination with gentle movements, are designed to free the movement of the diaphragm, increase oxygenation and relax the body. Benefits can include stress reduction, pain management, improved health and spiritual growth. In his discussion of the anatomy of breathing, Hendricks errs in saying there are two lobes in each human lung (the right lung has three lobes), but this handsome handbook, appealingly illustrated and laced with aphorisms about breathing from sports heroes, poets and philosophers, offers much of value to those just fostering awarenes of breathing to such advanced practitioners as singers and athletes.
Copyright 1995 Reed Business Information, Inc.

From Booklist
We inhale 20,000 times a day. Deprived of oxygen for more than 10 seconds, the brain fogs and panics; after 4 to 5 minutes, it never again functions with its former efficiency. Hendricks first traces the physiological journey of a breath, then lists the benefits of conscious breathing. Reportedly, it reduces stress and tension; increases energy and endurance; facilitates emotional mastery, particularly over anxiety and depression; prevents and heals certain physical complaints, especially asthma, respiratory problems, and cardiovascular illness; contributes significantly to "graceful aging" ; helps in managing pain; enhances mental focus and physical performance, particularly when applied to sports; and enables psychospiritual transformation. "Ultimately," Hendricks asserts, "breathing can be a path to that most essential of human experiences: learning to love." Thereafter, his amply illustrated book provides basic and advanced breath-work lessons and a 10-minute daily breathing program. Calling himself his "own best client," Hendricks builds a convincing case for his addition to alternative-healing therapies. Whitney Scott


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Servant: The Awakening (Mass Market Paperback), Author: L.L. Foster

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Urban paranormal fantasy featuring Gabrielle Cody:Servant. Slayer. Seducer.

Gabrielle Cody has the ability to see the demons among us as they really are-and the responsibility to destroy them. She can't allow anyone to get in her way, even the magnetic Detective Luther Cross. Sensing a malevolent presence watching and stalking her, Gaby is drawn again and again to an abandoned hospital surrounded by an aura of sickness and suffering-and unimaginable evil.

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The 6th Target (Hardcover), Author: James Patterson, Maxine Paetro

When a horrifying attack leaves one of the four members of the Women's Murder Club struggling for her life, the others fight to keep a madman behind bars before anyone else is hurt. And Lindsay Boxer and her new partner in the San Francisco police department run flat-out to stop a series of kidnappings that has electrified the city: children are being plucked off the streets together with their nannies-- but the kidnappers aren't demanding ransom. Amid uncertainty and rising panic, Lindsay juggles the possibility of a new love with an unsolvable investigation, and the knowledge that one member of the club could be on the brink of death. And just when everything appears momentarily under control, the case takes a terrifying turn, putting an entire city in lethal danger. Lindsay must make a choice she never dreamed she'd face--with no certainty that either outcome has more than a prayer of success.


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The New Rules of Marketing and PR: How to Use News Releases, Blogs, Podcasting, Viral Marketing and Online Media to Reach Buyers Directly (Hardcover)

From Publishers Weekly
Starred Review. Though it may not yet have affected the value of 30 seconds of Super Bowl advertising, PR insider Scott argues that understanding the growing irrelevance of marketing's "old rules" is vital to thriving in the new media jungle. Already apparent in newspapers and magazines (with sharp downturns in circulation and ads), radio (on the losing end of the iPod revolution) and direct mail (digitally replaced by spam), the imminent fall of traditional mass media marketing means new opportunities for legions of smaller companies and independent professionals who need to reach niche markets cheaply and effectively. The way Scott sees it, this is also good news for consumers: the online culture of integrity and information tends to produce quality content for less, as opposed to the vapid, one-sided and pricey advertising of print media and television. Scott provides the technical novice a thoughtful and accessible guide to cutting-edge media arenas and formats such as RSS, vodcasts and viral marketing, without neglecting the fact that technological wizardry can't substitute for a well-thought out marketing program. Besides emphasizing fundamentals like defining one's audience, Scott also drills home the ethos and etiquette of the web, encouraging content that's both useful and unobtrusive. This excellent look at the basics of new-millennial marketing should find use in the hands of any serious PR professional making the transition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Though it may not yet have affected the value of 30 seconds of Super Bowl advertising, PR insider Scott argues that understanding the growing irrelevance of marketing's "old rules" is vital to thriving in the new media jungle. Already apparent in newspapers and magazines (with sharp downturns in circulation and ads), radio (on the losing end of the iPod revolution) and direct mail (digitally replaced by spam), the imminent fall of traditional mass media marketing means new opportunities for legions of smaller companies and independent professionals who need to reach niche markets cheaply and effectively. The way Scott sees it, this is also good news for consumers: the online culture of integrity and information tends to produce quality content for less, as opposed to the vapid, one-sided and pricey advertising of print media and television. Scott provides the technical novice a thoughtful and accessible guide to cutting-edge media arenas and formats such as RSS, vodcasts and viral marketing, without neglecting the fact that technological wizardry can't substitute for a well-thought out marketing program. Besides emphasizing fundamentals like defining one's audience, Scott also drills home the ethos and etiquette of the web, encouraging content that's both useful and unobtrusive. This excellent look at the basics of new-millennial marketing should find use in the hands of any serious PR professional making the transition. (July) (Publishers Weekly, August 6, 2007)

"a valuable source of inspiration" (Brand Strategy, November 2007)

"This book is useful if you would like to learn more about new formats such as RSS, vodcasts and viral marketing." (Gulf Business, Vol. 12/ Issue 7)

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Sundays at Tiffany's (Hardcover), Author: James Patterson, Gabrielle Charbonne

As a little girl, Jane has no one. Her mother, the powerful head of a Broadway theater company, has no time for her. She does have one friend-a handsome, comforting, funny man named Michael-but only she can see him.

Years later, Jane is in her thirties and just as alone as ever. Then she meets Michael again-as handsome, smart and perfect as she remembers him to be. But not even Michael knows the reason they've really been reunited.

SUNDAYS AT TIFFANY'S is a love story with an irresistible twist, a novel about the child inside all of us-and the boundary-crossing power of love.

About the Author
James Patterson's most recent best seller is The 6th Target. He is one of the best known and bestselling authors of all time. He lives in Florida.


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Diary of a Wimpy Kid (Hardcover), by Jeff Kinney

From Publishers Weekly
Starred Review. Kinney's popular Web comic, which began in 2004, makes its way to print as a laugh-out-loud "novel in cartoons," adapted from the series. Middle school student Greg Heffley takes readers through an academic year's worth of drama. Greg's mother forces him to keep a diary ("I know what it says on the cover, but when Mom went out to buy this thing I specifically told her to get one that didn't say 'diary' on it"), and in it he loosely recounts each day's events, interspersed with his comic illustrations. Kinney has a gift for believable preteen dialogue and narration (e.g., "Don't expect me to be all 'Dear Diary' this and 'Dear Diary' that"), and the illustrations serve as a hilarious counterpoint to Greg's often deadpan voice. The hero's utter obliviousness to his friends and family becomes a running joke. For instance, on Halloween, Greg and his best friend, Rowley, take refuge from some high school boys at Greg's grandmother's house; they taunt the bullies, who then T.P. her house. Greg's journal entry reads, "I do feel a little bad, because it looked like it was gonna take a long time to clean up. But on the bright side, Gramma is retired, so she probably didn't have anything planned for today anyway." Kinney ably skewers familiar aspects of junior high life, from dealing with the mysteries of what makes someone popular to the trauma of a "wrestling unit" in gym class. His print debut should keep readers in stitches, eagerly anticipating Greg's further adventures. Ages 8-13. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 5–8—Greg Heffley has actually been on the scene for more than two years. Created by an online game developer, he has starred in a Web book of the same name on www.funbrain.com since May 2004. This print version is just as engaging. Kinney does a masterful job of making the mundane life of boys on the brink of adolescence hilarious. Greg is a conflicted soul: he wants to do the right thing, but the constant quest for status and girls seems to undermine his every effort. His attempts to prove his worthiness in the popularity race (he estimates he's currently ranked 52nd or 53rd) are constantly foiled by well-meaning parents, a younger and older brother, and nerdy friends. While Greg is not the most principled protagonist, it is his very obliviousness to his faults that makes him such an appealing hero. Kinney's background as a cartoonist is apparent in this hybrid book that falls somewhere between traditional prose and graphic novel. It offers some of the same adventures as the Web book, but there are enough new subplots to entertain Funbrain followers. This version is more pared down, and the pace moves quickly. The first of three installments, it is an excellent choice for reluctant readers, but more experienced readers will also find much to enjoy and relate to in one seventh grader's view of the everyday trials and tribulations of middle school.—Kim Dare, Fairfax County Public Schools, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Harry Potter and the Deathly Hallows (Book 7) (Hardcover), low price

Readers beware. The brilliant, breathtaking conclusion to J.K. Rowling's spellbinding series is not for the faint of heart--such revelations, battles, and betrayals await in Harry Potter and the Deathly Hallows that no fan will make it to the end unscathed. Luckily, Rowling has prepped loyal readers for the end of her series by doling out increasingly dark and dangerous tales of magic and mystery, shot through with lessons about honor and contempt, love and loss, and right and wrong. Fear not, you will find no spoilers in our review--to tell the plot would ruin the journey, and Harry Potter and the Deathly Hallows is an odyssey the likes of which Rowling's fans have not yet seen, and are not likely to forget. But we would be remiss if we did not offer one small suggestion before you embark on your final adventure with Harry--bring plenty of tissues.

The heart of Book 7 is a hero's mission--not just in Harry's quest for the Horcruxes, but in his journey from boy to man--and Harry faces more danger than that found in all six books combined, from the direct threat of the Death Eaters and you-know-who, to the subtle perils of losing faith in himself. Attentive readers would do well to remember Dumbledore's warning about making the choice between "what is right and what is easy," and know that Rowling applies the same difficult principle to the conclusion of her series. While fans will find the answers to hotly speculated questions about Dumbledore, Snape, and you-know-who, it is a testament to Rowling's skill as a storyteller that even the most astute and careful reader will be taken by surprise.

A spectacular finish to a phenomenal series, Harry Potter and the Deathly Hallows is a bittersweet read for fans. The journey is hard, filled with events both tragic and triumphant, the battlefield littered with the bodies of the dearest and despised, but the final chapter is as brilliant and blinding as a phoenix's flame, and fans and skeptics alike will emerge from the confines of the story with full but heavy hearts, giddy and grateful for the experience. --Daphne Durham

From Publishers Weekly
Starred Review. Potter fans, relax—this review packs no spoilers. Instead, we're taking advantage of our public platform to praise Rowling for the excellence of her plotting. We can't think of anyone else who has sustained such an intricate, endlessly inventive plot over seven thick volumes and so constantly surprised us with twists, well-laid traps and Purloined Letter-style tricks. Hallows continues the tradition, both with sly feats of legerdemain and with several altogether new, unexpected elements. Perhaps some of the surprises in Hallows don't have quite the punch as those of earlier books, but that may be because of the thoroughness and consistency with which Rowling has created her magical universe, and because we've so raptly absorbed its rules.

We're also seizing the occasion to wish out loud that her editors had done their jobs more actively. It's hard to escape the notion that the first three volumes were more carefully edited than the last four. Hallows doesn't contain the extraneous scenes found in, say, Goblet of Fire, but the momentum is uneven. Rowling is much better at comedy than at fight scenes, and no reader of the sixth book will be startled to hear that Hallows has little humor or that its characters engage in more than a few fights. Surely her editors could have helped her find other methods of building suspense besides the use of ellipses and dashes? And craft fight dialogue that sounds a bit less like it belongs in a comic book? Okay, we're quibbling. We know these minor nuisances won't dent readers' enjoyment, at least not this generation of readers; we couldn't put Hallows down ourselves. But we believe Rowling, and future readers, deserved even better. Ages 9-12. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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The Glass Castle: A Memoir (Paperback), by Jeannette Walls

Jeannette Walls's father always called her "Mountain Goat" and there's perhaps no more apt nickname for a girl who navigated a sheer and towering cliff of childhood both daily and stoically. In The Glass Castle, Walls chronicles her upbringing at the hands of eccentric, nomadic parents--Rose Mary, her frustrated-artist mother, and Rex, her brilliant, alcoholic father. To call the elder Walls's childrearing style laissez faire would be putting it mildly. As Rose Mary and Rex, motivated by whims and paranoia, uprooted their kids time and again, the youngsters (Walls, her brother and two sisters) were left largely to their own devices. But while Rex and Rose Mary firmly believed children learned best from their own mistakes, they themselves never seemed to do so, repeating the same disastrous patterns that eventually landed them on the streets. Walls describes in fascinating detail what it was to be a child in this family, from the embarrassing (wearing shoes held together with safety pins; using markers to color her skin in an effort to camouflage holes in her pants) to the horrific (being told, after a creepy uncle pleasured himself in close proximity, that sexual assault is a crime of perception; and being pimped by her father at a bar). Though Walls has well earned the right to complain, at no point does she play the victim. In fact, Walls' removed, nonjudgmental stance is initially startling, since many of the circumstances she describes could be categorized as abusive (and unquestioningly neglectful). But on the contrary, Walls respects her parents' knack for making hardships feel like adventures, and her love for them--despite their overwhelming self-absorption--resonates from cover to cover. --Brangien Davis --This text refers to the Hardcover edition.

From Publishers Weekly
Starred Review. Freelance writer Walls doesn't pull her punches. She opens her memoir by describing looking out the window of her taxi, wondering if she's "overdressed for the evening" and spotting her mother on the sidewalk, "rooting through a Dumpster." Walls's parents—just two of the unforgettable characters in this excellent, unusual book—were a matched pair of eccentrics, and raising four children didn't conventionalize either of them. Her father was a self-taught man, a would-be inventor who could stay longer at a poker table than at most jobs and had "a little bit of a drinking situation," as her mother put it. With a fantastic storytelling knack, Walls describes her artist mom's great gift for rationalizing. Apartment walls so thin they heard all their neighbors? What a bonus—they'd "pick up a little Spanish without even studying." Why feed their pets? They'd be helping them "by not allowing them to become dependent." While Walls's father's version of Christmas presents—walking each child into the Arizona desert at night and letting each one claim a star—was delightful, he wasn't so dear when he stole the kids' hard-earned savings to go on a bender. The Walls children learned to support themselves, eating out of trashcans at school or painting their skin so the holes in their pants didn't show. Buck-toothed Jeannette even tried making her own braces when she heard what orthodontia cost. One by one, each child escaped to New York City. Still, it wasn't long before their parents appeared on their doorsteps. "Why not?" Mom said. "Being homeless is an adventure."
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

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The Kite Runner (Paperback), low price, promo

In his debut novel, The Kite Runner, Khaled Hosseini accomplishes what very few contemporary novelists are able to do. He manages to provide an educational and eye-opening account of a country's political turmoil--in this case, Afghanistan--while also developing characters whose heartbreaking struggles and emotional triumphs resonate with readers long after the last page has been turned over. And he does this on his first try.

The Kite Runner follows the story of Amir, the privileged son of a wealthy businessman in Kabul, and Hassan, the son of Amir's father's servant. As children in the relatively stable Afghanistan of the early 1970s, the boys are inseparable. They spend idyllic days running kites and telling stories of mystical places and powerful warriors until an unspeakable event changes the nature of their relationship forever, and eventually cements their bond in ways neither boy could have ever predicted. Even after Amir and his father flee to America, Amir remains haunted by his cowardly actions and disloyalty. In part, it is these demons and the sometimes impossible quest for forgiveness that bring him back to his war-torn native land after it comes under Taliban rule. ("...I wondered if that was how forgiveness budded, not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night.")

Some of the plot's turns and twists may be somewhat implausible, but Hosseini has created characters that seem so real that one almost forgets that The Kite Runner is a novel and not a memoir. At a time when Afghanistan has been thrust into the forefront of America's collective consciousness ("people sipping lattes at Starbucks were talking about the battle for Kunduz"), Hosseini offers an honest, sometimes tragic, sometimes funny, but always heartfelt view of a fascinating land. Perhaps the only true flaw in this extraordinary novel is that it ends all too soon. --Gisele Toueg --This text refers to the Hardcover edition.

From Publishers Weekly
Hosseini's stunning debut novel starts as an eloquent Afghan version of the American immigrant experience in the late 20th century, but betrayal and redemption come to the forefront when the narrator, a writer, returns to his ravaged homeland to rescue the son of his childhood friend after the boy's parents are shot during the Taliban takeover in the mid '90s. Amir, the son of a well-to-do Kabul merchant, is the first-person narrator, who marries, moves to California and becomes a successful novelist. But he remains haunted by a childhood incident in which he betrayed the trust of his best friend, a Hazara boy named Hassan, who receives a brutal beating from some local bullies. After establishing himself in America, Amir learns that the Taliban have murdered Hassan and his wife, raising questions about the fate of his son, Sohrab. Spurred on by childhood guilt, Amir makes the difficult journey to Kabul, only to learn the boy has been enslaved by a former childhood bully who has become a prominent Taliban official. The price Amir must pay to recover the boy is just one of several brilliant, startling plot twists that make this book memorable both as a political chronicle and a deeply personal tale about how childhood choices affect our adult lives. The character studies alone would make this a noteworthy debut, from the portrait of the sensitive, insecure Amir to the multilayered development of his father, Baba, whose sacrifices and scandalous behavior are fully revealed only when Amir returns to Afghanistan and learns the true nature of his relationship to Hassan. Add an incisive, perceptive examination of recent Afghan history and its ramifications in both America and the Middle East, and the result is a complete work of literature that succeeds in exploring the culture of a previously obscure nation that has become a pivot point in the global politics of the new millennium.
Copyright 2003 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Breaking Dawn (The Twilight Saga, Book 4) (Hardcover)

Book Description

Twilight tempted the imagination. New Moon made readers thirsty for more. Eclipse turned the saga into a worldwide phenomenon. And now, the book that everyone has been waiting for....





Breaking Dawn, the final book in the #1 bestselling Twilight Saga, will take your breath away.

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The Appeal (Hardcover)

Amazon.com
As the author of twenty bestselling books, John Grisham has set the standard for legal thrillers since the debut of The Firm in 1991. Enjoy this Q&A--as well as a personal note to Amazon readers--from John Grisham.

1. Your new novel starts off where most courtroom dramas end--with the verdict. Where did you get the idea to reverse the usual order of events this time around?
The actual trial is not a terribly significant part of the story. Most all of the action and intrigue begins after the trial is over, with the verdict and the subsequent appeal.


2. The Appeal overtly suggests that elected judges can be bought. If the novel is meant as a cautionary tale, what's next--the Presidential primaries?
Why not? Over one billion dollars will be spent next year in the Presidential primaries and general election. With that kind of money floating around, anything can be bought.


3. Speaking of electoral politics, you've been more vocal recently about your political views ... first supporting Jim Webb for Senate and now endorsing Hillary Clinton for the White House. Have you given any thought to running for office yourself?
No. I made that mistake 25 years ago, and promised myself I would never do it again. I enjoy watching and participating in politics from the sidelines, but it's best to keep some distance.


4. This is your first legal thriller in three years. How did it feel to get back to the genre that started it all, and can fans expect another thriller from you next year?
I still enjoy writing the legal thrillers, and don't plan to get too far away from them. Obviously, they have been very good to me, and they remain popular. I plan to write one a year for the next several years.


5. Your nonfiction book The Innocent Man continues to be a bestseller in paperback. In your ongoing work with The Innocence Project, have you come across another story of the wrongfully convicted that begs to be written as nonfiction?
There are literally hundreds of great stories out there about wrongfully convicted defendants. I am continually astounded by these stories, and I resist the temptation to take the plunge again into non-fiction.

Book Description

The jury was ready.

After forty-two hours of deliberations that followed seventy-one days of trial that included 530 hours of testimony from four dozen witnesses, and after a lifetime of sitting silently as the lawyers haggled and the judge lectured and the spectators watched like hawks for telltale signs, the jury was ready. Locked away in the jury room, secluded and secure, ten of them proudly signed their names to the verdict while the other two pouted in their corners, detached and miserable in their dissension. There were hugs and smiles and no small measure of self-congratulation because they had survived this little war and could now march proudly back into the arena with a decision they had rescued through sheer determination and the dogged pursuit of compromise. Their ordeal was over; their civic duty complete. They had served above and beyond. They were ready.

The foreman knocked on the door and rustled Uncle Joe from his slumbers. Uncle Joe, the ancient bailiff, had guarded them while he also arranged their meals, heard their complaints, and quietly slipped their messages to the judge. In his younger years, back when his hearing was better, Uncle Joe was rumored to also eavesdrop on his juries through a ?imsy pine door he and he alone had selected and installed. But his listening days were over, and, as he had con?ded to no one but his wife, after the ordeal of this particular trial he might just hang up his old pistol once and for all. The strain of controlling justice was wearing him down.
--From Chapter One of The Appeal

Politics has always been a dirty game.
Now justice is, too.


In a crowded courtroom in Mississippi, a jury returns a shocking verdict against a chemical company accused of dumping toxic waste into a small town’s water supply, causing the worst “cancer cluster” in history. The company appeals to the Mississippi Supreme Court, whose nine justices will one day either approve the verdict or reverse it.

Who are the nine? How will they vote? Can one be replaced before the case is ultimately decided?

The chemical company is owned by a Wall Street predator named Carl Trudeau, and Mr. Trudeau is convinced the Court is not friendly enough. With judicial elections looming, he decides to try to purchase himself a seat on the Court. The cost is a few million dollars, a drop in the bucket for a billionaire like Mr. Trudeau. Through an intricate web of conspiracy and deceit, his political operatives recruit a young, unsuspecting candidate. They finance him, manipulate him, market him, and mold him into a potential Supreme Court justice. Their Supreme Court justice.

The Appeal is a powerful, timely, and shocking story of political and legal intrigue, a story that will leave readers unable to think about our electoral process or judicial system in quite the same way ever again.

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Duma Key: A Novel (Hardcover)

Duma Key: Where It All Began
A Note from Chuck Verrill, the Longtime Editor of Stephen King
In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. "I'm thinking of calling it Duma Key," he offered. I liked the sound of that--the title was like a drumbeat of dread. "You know how Lisey's Story is a story about marriage?" he said. "Sure," I answered. The novel hadn't yet been published, but I knew its story well: Lisey and Scott Landon--what a marriage that was. Then he dropped the other shoe: "I think Duma Key might be my story of divorce."

Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled "Memory"--a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published "Memory," Stephen had completed a draft of Duma Key, and it became clear to me how "Memory" and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying.

If you read the following two texts side by side--"Memory" as it was published by Tin House and the opening chapter of Duma Key in final form--you'll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of "Memory" or "Memory" a contraction of Duma Key, I can't really say. Can you?
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Water for Elephants: A Novel (Paperback)

Amazon.com
Jacob Jankowski says: "I am ninety. Or ninety-three. One or the other." At the beginning of Water for Elephants, he is living out his days in a nursing home, hating every second of it. His life wasn't always like this, however, because Jacob ran away and joined the circus when he was twenty-one. It wasn't a romantic, carefree decision, to be sure. His parents were killed in an auto accident one week before he was to sit for his veterinary medicine exams at Cornell. He buried his parents, learned that they left him nothing because they had mortgaged everything to pay his tuition, returned to school, went to the exams, and didn't write a single word. He walked out without completing the test and wound up on a circus train. The circus he joins, in Depression-era America, is second-rate at best. With Ringling Brothers as the standard, Benzini Brothers is far down the scale and pale by comparison.

Water for Elephants is the story of Jacob's life with this circus. Sara Gruen spares no detail in chronicling the squalid, filthy, brutish circumstances in which he finds himself. The animals are mangy, underfed or fed rotten food, and abused. Jacob, once it becomes known that he has veterinary skills, is put in charge of the "menagerie" and all its ills. Uncle Al, the circus impresario, is a self-serving, venal creep who slaps people around because he can. August, the animal trainer, is a certified paranoid schizophrenic whose occasional flights into madness and brutality often have Jacob as their object. Jacob is the only person in the book who has a handle on a moral compass and as his reward he spends most of the novel beaten, broken, concussed, bleeding, swollen and hungover. He is the self-appointed Protector of the Downtrodden, and... he falls in love with Marlena, crazy August's wife. Not his best idea.

The most interesting aspect of the book is all the circus lore that Gruen has so carefully researched. She has all the right vocabulary: grifters, roustabouts, workers, cooch tent, rubes, First of May, what the band plays when there's trouble, Jamaican ginger paralysis, life on a circus train, set-up and take-down, being run out of town by the "revenooers" or the cops, and losing all your hooch. There is one glorious passage about Marlena and Rosie, the bull elephant, that truly evokes the magic a circus can create. It is easy to see Marlena's and Rosie's pink sequins under the Big Top and to imagine their perfect choreography as they perform unbelievable stunts. The crowd loves it--and so will the reader. The ending is absolutely ludicrous and really quite lovely. --Valerie Ryan --This text refers to the Hardcover edition.

From Publishers Weekly
With its spotlight on elephants, Gruen's romantic page-turner hinges on the human-animal bonds that drove her debut and its sequel (Riding Lessons and Flying Changes)—but without the mass appeal that horses hold. The novel, told in flashback by nonagenarian Jacob Jankowski, recounts the wild and wonderful period he spent with the Benzini Brothers Most Spectacular Show on Earth, a traveling circus he joined during the Great Depression. When 23-year-old Jankowski learns that his parents have been killed in a car crash, leaving him penniless, he drops out of Cornell veterinary school and parlays his expertise with animals into a job with the circus, where he cares for a menagerie of exotic creatures[...] He also falls in love with Marlena, one of the show's star performers—a romance complicated by Marlena's husband, the unbalanced, sadistic circus boss who beats both his wife and the animals Jankowski cares for. Despite her often clichéd prose and the predictability of the story's ending, Gruen skillfully humanizes the midgets, drunks, rubes and freaks who populate her book. (May 26)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
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Eat, Pray, Love: One Woman's Search for Everything Across Italy, India and Indonesia (Paperback)

From Publishers Weekly
Starred Review. Gilbert (The Last American Man) grafts the structure of romantic fiction upon the inquiries of reporting in this sprawling yet methodical travelogue of soul-searching and self-discovery. Plagued with despair after a nasty divorce, the author, in her early 30s, divides a year equally among three dissimilar countries, exploring her competing urges for earthly delights and divine transcendence. First, pleasure: savoring Italy's buffet of delights--the world's best pizza, free-flowing wine and dashing conversation partners--Gilbert consumes la dolce vita as spiritual succor. "I came to Italy pinched and thin," she writes, but soon fills out in waist and soul. Then, prayer and ascetic rigor: seeking communion with the divine at a sacred ashram in India, Gilbert emulates the ways of yogis in grueling hours of meditation, struggling to still her churning mind. Finally, a balancing act in Bali, where Gilbert tries for equipoise "betwixt and between" realms, studies with a merry medicine man and plunges into a charged love affair. Sustaining a chatty, conspiratorial tone, Gilbert fully engages readers in the year's cultural and emotional tapestry--conveying rapture with infectious brio, recalling anguish with touching candor--as she details her exotic tableau with history, anecdote and impression.
Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
At the age of thirty-one, Gilbert moved with her husband to the suburbs of New York and began trying to get pregnant, only to realize that she wanted neither a child nor a husband. Three years later, after a protracted divorce, she embarked on a yearlong trip of recovery, with three main stops: Rome, for pleasure (mostly gustatory, with a special emphasis on gelato); an ashram outside of Mumbai, for spiritual searching; and Bali, for "balancing." These destinations are all on the beaten track, but Gilbert's exuberance and her self-deprecating humor enliven the proceedings: recalling the first time she attempted to speak directly to God, she says, "It was all I could do to stop myself from saying, 'I've always been a big fan of your work.'"
Copyright © 2006 The New Yorker --This text refers to the Hardcover edition.
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Liberal Fascism: The Secret History of the American Left, From Mussolini to the Politics of Meaning (Hardcover)

From Publishers Weekly
In this provocative and well-researched book, Goldberg probes modern liberalism's spooky origins in early 20th-century fascist politics. With chapter titles such as Adolf Hitler: Man of the Left and Brave New Village: Hillary Clinton and the Meaning of Liberal Fascism—Goldberg argues that fascism has always been a phenomenon of the left. This is Goldberg's first book, and he wisely curbs his wry National Review style. Goldberg's study of the conceptual overlap between fascism and ideas emanating from the environmental movement, Hollywood, the Democratic Party and what he calls other left-wing organs is shocking and hilarious. He lays low such lights of liberal history as Margaret Sanger, apparently a radical eugenicist, and JFK, whose cult of personality, according to Goldberg, reeks of fascist political theater. Much of this will be music to conservatives' ears, but other readers may be stopped cold by the parallels Goldberg draws between Nazi Germany and the New Deal. The book's tone suffers as it oscillates between revisionist historical analyses and the application of fascist themes to American popular culture; nonetheless, the controversial arc Goldberg draws from Mussolini to The Matrix is well-researched, seriously argued—and funny. (Jan. 8)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The Washington Post's Book World/washingtonpost.com

Reviewed by Michael Mann

National Review editor Jonah Goldberg says he is fed up with liberals calling him a fascist. Who can blame him? Hurling the calumny "fascist!" at American conservatives is not fair. But Goldberg's response is no better. He lobs the f-word back at liberals, though after each of his many attacks he is at pains to say that they are not "evil" fascists, they just share a family resemblance. It's family because American liberals are descendants of the early 20th-century Progressives, who in turn shared intellectual roots with fascists. He adds that both fascists and liberals seek to use the state to solve the problems of modern society.

Scholars would support Goldberg in certain respects. He is correct that many fascists, including Mussolini (but not Hitler) started as socialists -- though almost none started as liberals, who stood for representative government and mild reformism. Moreover, fascism's combination of nationalism, statism, discipline and a promise to "transcend" class conflict was initially popular in many countries. Though fascism was always less popular in democracies such as the United States, some American intellectuals did flirt with its ideas. Goldberg quotes progressives and liberals who did, but he does not quote the conservatives who also did. He is right to note that fascist party programs contained active social welfare policies to be implemented through a corporatist state, so there were indeed overlaps with Progressives and with New Dealers. But so, too, were there overlaps with the world's Social Democrats and Christian Democrats, as well as with the British Conservative Party from Harold Macmillan in the 1930s to Prime Minister Ted Heath in the 1970s, and even with the Eisenhower and Nixon administrations. Are they all to earn the f-word?

The only thing these links prove is that fascism contained elements that were in the mainstream of 20th-century politics. Following Goldberg's logic, I could rewrite this book and berate American liberals not for being closet fascists but for being closet conservatives or closet Christian Democrats. But that would puzzle Americans, not shock them. Shock, it seems, sells books.

What really distinguished fascists from other mainstream movements of the time were proud, "principled" -- as they saw it -- violence and authoritarianism. Fascists took their model of governance from their experience as soldiers and officers in World War I. They believed that disciplined violence, military comradeship and obedience to leaders could solve society's problems. Goldberg finds similarities between fascism's so-called "third way" -- neither capitalism nor socialism -- and liberals who use the same phrase today to signify an attempt to compromise between business and labor. But there is a fundamental difference. The fascist solution was not brokered compromise but forcibly knocking heads together. Italian fascists formed a paramilitary, not a political, party. The Nazis did have a separate party, but alongside two paramilitaries, the SA and the SS, whose first mission was to attack and, if necessary, to kill socialists, communists and liberals. In reality, the fascists knocked labor's head, not capital's. The Nazis practiced on the left for their later killing of Jews, gypsies and others. And all fascists proudly proclaimed the "leadership principle," hailing dictatorship and totalitarianism.

It is hard to find American counterparts, especially among liberals. Father Coughlin and Huey Long (discussed by Goldberg) were tempted by a proto-fascist authoritarian populism in the 1930s. Some white Southerners (not discussed) embraced violence and authoritarianism, as did the Weathermen and the Black Panthers (discussed) and rightist militias (not discussed). Neocons (not discussed) today endorse militarism. Liberals have rarely supported violence, militarism or authoritarianism, because they are doves and wimps -- or at least that is what both conservatives and socialists usually say. To assert that the Social Security Act or Medicare shows a leaning toward totalitarianism is ridiculous. The United States, along with the rest of the Anglo-Saxon and Northwestern European world, has been protected from significant fascist influences by the shared commitment of liberals, conservatives and social democrats to democracy. Fascism is not an American, British, Dutch, Scandinavian, Canadian, Australian or New Zealand vice. It only spread significantly in one-half of Europe, with some lesser influence in China, Japan, South America and South Africa. Today it is alive in very few places.

A few of Goldberg's assaults make some minimal sense; others are baffling. He culminates with an attack on Hillary Clinton. He quotes from a 1993 college commencement address of hers: "We need a new politics of meaning. We need a new ethos of individual responsibility and caring. We need a new definition of civil society which answers the unanswerable questions posed by both the market forces and the governmental ones, as to how we can have a society that fills us up again and makes us feel that we are part of something bigger than ourselves." Such vacuous politician-speak could come from any centrist, whether Republican or Democrat. But Goldberg bizarrely says it embodies "the most thoroughly totalitarian conception of politics offered by a leading American political figure in the last half century." Is he serious? He then quotes briefly from her book It Takes A Village. "The village," she wrote, "can no longer be defined as a place on the map, or a list of people or organizations, but its essence remains the same: it is the network of values and relationships that support and affect our lives." One may question whether that is a profound definition or a banal one, but does it deserve Goldberg's comment that here "the concept of civil society is grotesquely deformed"? Whatever Sen. Clinton's weaknesses, she is neither a totalitarian nor an enemy of civil society.

In an apparent attempt at balance, Goldberg indulges in very mild and brief criticism of conservatives who are tempted by compassionate (i.e., social) conservatism, though here he uniquely refrains from using the f-word. In the book's final pages, he reveals his neo-liberalism (though he does not use the term). Since neo-liberalism, with its insistence on unfettered global trade and minimal government regulation of economic and social life, merely restates 19th-century laissez-faire, it is in fact the only contemporary political philosophy that significantly pre-dates both socialism and fascism. Unlike modern liberalism or modern conservatism, it shares not even a remote family resemblance with them. That is the only sense I can make of his overall argument.

But a final word of advice. If you want to denigrate the Democrats' health care plans or Al Gore's environmental activism, try the word "socialism." That is tried and tested American abuse. "Fascism" will merely baffle Americans -- and rightly so.


Copyright 2008, The Washington Post. All Rights Reserved.
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A New Earth: Awakening to Your Life's Purpose (Oprah's Book Club, Selection 61) (Paperback)

The highly anticipated follow-up to the 2,000,000 copy bestselling inspirational book, The Power of Now

With his bestselling spiritual guide The Power of Now, Eckhart Tolle inspired millions of readers to discover the freedom and joy of a life lived "in the now." In A New Earth, Tolle expands on these powerful ideas to show how transcending our ego-based state of consciousness is not only essential to personal happiness, but also the key to ending conflict and suffering throughout the world. Tolle describes how our attachment to the ego creates the dysfunction that leads to anger, jealousy, and unhappiness, and shows readers how to awaken to a new state of consciousness and follow the path to a truly fulfilling existence.

The Power of Now was a question-and-answer handbook. A New Earth has been written as a traditional narrative, offering anecdotes and philosophies in a way that is accessible to all. Illuminating, enlightening, and uplifting, A New Earth is a profoundly spiritual manifesto for a better way of life—and for building a better world.

About the Author

ECKHART TOLLE is a contemporary spiritual teacher who is not aligned with any particular religion or tradition. In his writing and seminars, he conveys a simple yet profound message with the timeless and uncomplicated clarity of the ancient spiritual masters: There is a way out of suffering and into peace. Eckhart travels extensively, taking his teachings throughout the world.
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